Photographs were created by assembling sixteen takes of a single stone, thus interfering with the option of reading its scale or depth. It’s an examination of relations between the eye, camera, and surface of the image. The viewer’s attention is drawn to the photograph itself, usually perceived as a transparent medium. The perception of the presentation is being distorted by toying with properties of the matter: photographed stones covered with a layer of olive oil resemble soft and moist pieces of meat. Thus created organicity is confronted with an analytical, dry, laboratory-like image.